Gaël Badaud Movies

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Reel 2 of Gérard Courant's on-going Cinematon series.

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann...

Outtakes from the movie.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

An approach to Gaël Badaud and his activity as a painter: the birth of his paintings and the tight bonds between his work and his personal...

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...