Robert Huot Movies

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of...

The motif of having people slowly approach the camera first appears in Nude Descending the Stairs, an interesting minimalist work made up of three...

“An extraordinary ebbing and flowing, dotting and pulsing ‘abstract’ field film. The filmmaker-painter Huot painted this film by...

One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent. The flares at...

"Beautiful Movie" is a filmic cameo during which a passage of blue film leader and clear film painted red introduces a lovely image of a woman, naked...

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...

Costumed Capers...Fetish and Fantasy...Punk Pleasure...a must for those who enjoy erotic humor.

In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader,...

LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so...

…was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing. The camera fades in and out on a...